Hurston submitted it in a contest run by the academic journal Opportunity in 1925, where it won an honorable mention, but it was never published in her lifetime. A diddley bow is a homemade single-string instrument played mainly by farm workers in the South.
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known as Bo Diddley, was an American singer, guitarist, songwriter and music producer who played a key role in the transition from the blues to rock and roll.
In 1934, the McDaniel family moved to the South Side of Chicago, where he dropped Otha from his name and became Ellas McDaniel.
During the summers of 1943 and 1944, he played at the Maxwell Street market in a band with Earl Hooker.
During the summers of 1943 and 1944, he played at the Maxwell Street market in a band with Earl Hooker.
In the American slang term bo diddly, bo is an intensifier and diddly is a truncation of diddly squat, which means "absolutely nothing". ===Success in the 1950s and 1960s=== On November 20, 1955, Diddley appeared on the popular television program The Ed Sullivan Show.
Chess Records included Diddley's cover of "Sixteen Tons" on the 1960 album Bo Diddley Is a Gunslinger. Diddley's hit singles continued in the 1950s and 1960s: "Pretty Thing" (1956), "Say Man" (1959), and "You Can't Judge a Book by the Cover" (1962).
By 1951 he was playing on the street with backing from Roosevelt Jackson on washtub bass and Jody Williams, whom he had taught to play the guitar.
Williams later played lead guitar on "Who Do You Love?" (1956). In 1951, he landed a regular spot at the 708 Club, on Chicago's South Side, with a repertoire influenced by Louis Jordan, John Lee Hooker, and Muddy Waters.
In late 1954, he teamed up with harmonica player Billy Boy Arnold, drummer Clifton James and bass player Roosevelt Jackson and recorded demos of "I'm a Man" and "Bo Diddley".
The record was released in March 1955, and the A-side, "Bo Diddley", became a number one R&B hit. ===Origins of stage name=== The origin of the stage name Bo Diddley is unclear.
In the American slang term bo diddly, bo is an intensifier and diddly is a truncation of diddly squat, which means "absolutely nothing". ===Success in the 1950s and 1960s=== On November 20, 1955, Diddley appeared on the popular television program The Ed Sullivan Show.
In 1956, he and guitarist Jody Williams co-wrote the pop song "Love Is Strange", a hit for Mickey & Sylvia in 1957.
In 1956, he and guitarist Jody Williams co-wrote the pop song "Love Is Strange", a hit for Mickey & Sylvia in 1957.
Between 1958 and 1963, Checker Records released eleven full-length Bo Diddley albums.
He also wrote "Mama (Can I Go Out)", which was a minor hit for the pioneering rockabilly singer Jo Ann Campbell, who performed the song in the 1959 rock and roll film Go Johnny Go. After moving from Chicago to Washington, D.C., Diddley built his first [recording] studio in the basement of his home at 2614 Rhode Island Avenue NE.
In the American slang term bo diddly, bo is an intensifier and diddly is a truncation of diddly squat, which means "absolutely nothing". ===Success in the 1950s and 1960s=== On November 20, 1955, Diddley appeared on the popular television program The Ed Sullivan Show.
Chess Records included Diddley's cover of "Sixteen Tons" on the 1960 album Bo Diddley Is a Gunslinger. Diddley's hit singles continued in the 1950s and 1960s: "Pretty Thing" (1956), "Say Man" (1959), and "You Can't Judge a Book by the Cover" (1962).
In the 1960s, he broke through as a crossover artist with white audiences (appearing at the Alan Freed concerts, for example), but he rarely aimed his compositions at teenagers.
Between 1958 and 1963, Checker Records released eleven full-length Bo Diddley albums.
The album title Surfing with Bo Diddley derived from his influence on surf guitarists rather than surfing per se. In 1963, Diddley starred in a UK concert tour with the Everly Brothers and Little Richard along with the Rolling Stones (an unknown band at that time). He wrote many songs for himself and also for others.
Also in the early 1970s, the soundtrack of the ground-breaking animated film Fritz the Cat contained his song "Bo Diddley", in which a crow idly finger-pops to the track. Diddley spent some years in New Mexico, living in Los Lunas from 1971 to 1978, while continuing his musical career.
In the late 1970s, he left Los Lunas and moved to Hawthorne, Florida, where he lived on a large estate in a custom-made log cabin, which he helped to build.
Also in the early 1970s, the soundtrack of the ground-breaking animated film Fritz the Cat contained his song "Bo Diddley", in which a crow idly finger-pops to the track. Diddley spent some years in New Mexico, living in Los Lunas from 1971 to 1978, while continuing his musical career.
On March 25, 1972, he played with the Grateful Dead at the Academy of Music in New York City.
Also in the early 1970s, the soundtrack of the ground-breaking animated film Fritz the Cat contained his song "Bo Diddley", in which a crow idly finger-pops to the track. Diddley spent some years in New Mexico, living in Los Lunas from 1971 to 1978, while continuing his musical career.
For the remainder of his life he divided his time between Albuquerque and Florida, living the last 13 years of his life in Archer, Florida, a small farming town near Gainesville. In 1979, he appeared as an opening act for The Clash on their US tour. In 1983, he made a cameo appearance as a Philadelphia pawn shop owner in the comedy film Trading Places.
For the remainder of his life he divided his time between Albuquerque and Florida, living the last 13 years of his life in Archer, Florida, a small farming town near Gainesville. In 1979, he appeared as an opening act for The Clash on their US tour. In 1983, he made a cameo appearance as a Philadelphia pawn shop owner in the comedy film Trading Places.
In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017.
He also appeared in George Thorogood's music video for the song "Bad to the Bone," portraying a guitar-slinging pool shark. In 1989, Diddley entered into a licensing agreement with the sportswear brand Nike.
The agreement ended in 1991, but in 1999, a T-shirt of Diddley's image and "You don't know diddley" slogan was purchased in a Gainesville, Florida sports apparel store.
Despite the fact that lawyers for both parties could not come to a renewed legal arrangement, Nike allegedly continued marketing the apparel and ignored cease-and-desist orders, and a lawsuit was filed on Diddley's behalf, in Manhattan Federal Court. In Legends of Guitar (filmed live in Spain in 1991), Diddley performed with B.B.
He joined the Rolling Stones on their 1994 concert broadcast of Voodoo Lounge, performing "Who Do You Love?". In 1996, he released A Man Amongst Men, his first major-label album (and his final studio album) with guest artists like Keith Richards, Ron Wood and the Shirelles.
He joined the Rolling Stones on their 1994 concert broadcast of Voodoo Lounge, performing "Who Do You Love?". In 1996, he released A Man Amongst Men, his first major-label album (and his final studio album) with guest artists like Keith Richards, Ron Wood and the Shirelles.
The album earned a Grammy Award nomination in 1997 for the Best Contemporary Blues Album category. Diddley performed a number of shows around the country in 2005 and 2006, with fellow Rock and Roll Hall of Famer Johnnie Johnson and his band, consisting of Johnson on keyboards, Richard Hunt on drums and Gus Thornton on bass.
The agreement ended in 1991, but in 1999, a T-shirt of Diddley's image and "You don't know diddley" slogan was purchased in a Gainesville, Florida sports apparel store.
In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017.
The album earned a Grammy Award nomination in 1997 for the Best Contemporary Blues Album category. Diddley performed a number of shows around the country in 2005 and 2006, with fellow Rock and Roll Hall of Famer Johnnie Johnson and his band, consisting of Johnson on keyboards, Richard Hunt on drums and Gus Thornton on bass.
The "Florida Keys for Katrina Relief" had originally been set for October 23, 2005, when Hurricane Wilma barreled through the Florida Keys on October 24, causing flooding and economic mayhem. In January 2006, the Florida Keys had recovered enough to host the fundraising concert to benefit the more hard-hit community of Ocean Springs.
The album earned a Grammy Award nomination in 1997 for the Best Contemporary Blues Album category. Diddley performed a number of shows around the country in 2005 and 2006, with fellow Rock and Roll Hall of Famer Johnnie Johnson and his band, consisting of Johnson on keyboards, Richard Hunt on drums and Gus Thornton on bass.
In 2006, he participated as the headliner of a grassroots-organized fundraiser concert to benefit the town of Ocean Springs, Mississippi, which had been devastated by Hurricane Katrina.
The "Florida Keys for Katrina Relief" had originally been set for October 23, 2005, when Hurricane Wilma barreled through the Florida Keys on October 24, causing flooding and economic mayhem. In January 2006, the Florida Keys had recovered enough to host the fundraising concert to benefit the more hard-hit community of Ocean Springs.
In an interview with Holger Petersen, on Saturday Night Blues on CBC Radio in the fall of 2006, He commented on racism in the music industry establishment during his early career, which deprived him of
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known as Bo Diddley, was an American singer, guitarist, songwriter and music producer who played a key role in the transition from the blues to rock and roll.
In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017.
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