Funk

1784

In 1784 "funky" meaning "musty" was first documented, which, in turn, led to a sense of "earthy" that was taken up around 1900 in early jazz slang for something "deeply or strongly felt".

1900

In 1784 "funky" meaning "musty" was first documented, which, in turn, led to a sense of "earthy" that was taken up around 1900 in early jazz slang for something "deeply or strongly felt".

1907

At least as early as 1907, jazz songs carried titles such as Funky.

1940

New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, and made it its own.

1950

As late as the 1950s and early 1960s, when "funk" and "funky" were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company.

1957

Earliest examples of that technic used on rhythm and blues is listened on Johnny Otis song "Willie and the Hand Jive" in 1957, with the future James Brown band guitar player Jimmy Nolen.

1960

As late as the 1950s and early 1960s, when "funk" and "funky" were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company.

1970

Express, Fatback Band, Slave, Cameo, Con Funk Shun, the Bar-Kays, and Ohio Players, began to adopt and develop Brown's innovations during the 1970s while others like Parliament-Funkadelic followed Hendrix's path. Funk derivatives include the avant-funk, an avant-garde strain of funk; boogie, a hybrid of electronic music and funk; funk metal, a mix of funk and metal; G-funk, a mix of gangsta rap and funk; Timba, a form of funky Cuban dance music; and funk jam.

In the 1970s, jazz music drew upon funk to create a new subgenre of jazz-funk, which can be heard in recordings by Miles Davis (Live-Evil, On the Corner), and Herbie Hancock (Head Hunters). ===Improvisation=== Funk continues the African musical tradition of improvisation, in that in a funk band, the group would typically "feel" when to change, by "jamming" and "grooving", even in the studio recording stage, which might only be based on the skeleton framework for each song.




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Page generated on 2021-08-05