Love and Theft (Bob Dylan album)

1920

It comes from really early Americana, way back at the turn of the century, and the 1920s.

'High water everywhere.' Death and dementia shadow the album, tempered by tenderness and wicked gallows humor". "'Po' Boy', scored for guitar with lounge chord jazz patterns, 'almost sounds as if it could have been recorded around 1920," says Riley.

1960

A limited edition release included two bonus tracks on a separate disc recorded in the early 1960s, and two years later, on September 16, 2003, this album was remixed into 5.1 surround sound and became one of fifteen Dylan titles reissued and remastered for SACD playback.

1993

The title of the album was apparently inspired by historian Eric Lott's book Love & Theft: Blackface Minstrelsy and the American Working Class, which was published in 1993.

1997

Dylan would subsequently employ Shaw to engineer and mix his albums Modern Times (2006) and Rough and Rowdy Ways (2020) as well as various non-album tracks. ==Content== The album continued Dylan's artistic comeback following 1997's Time Out of Mind and was given an even more enthusiastic reception.

1998

"It ends in death, and sets the stage for an album populated by rogues, con men, outcasts, gamblers, gunfighters and desperados, many of them with nothing to lose, some of them out of their minds, all of them quintessentially American. Offered the song by Dylan, Sheryl Crow later recorded an up-tempo cover of "Mississippi" for her The Globe Sessions, released in 1998, before Dylan revisited it for Love and Theft.

2001

"Love And Theft" (generally referred to as Love and Theft) is the 31st studio album by American singer-songwriter Bob Dylan, released on September 11, 2001, by Columbia Records.

That’s why we could cut a song a day...and the album was done". As Kemper indicated, the twelve songs on "Love and Theft" were recorded in just 12 days in May 2001 at Clinton Recording in Midtown Manhattan.

Dylan praised Shaw's work as an engineer during a press conference in Rome to promote "Love and Theft" in 2001: After complaining that previous producers had botched the recording of his vocals, he was asked if he felt it was difficult to record his voice in the studio.

album title", writes Greg Kot in the Chicago Tribune (published September 11, 2001), "the myths, mysteries and folklore of the South as a backdrop for one of the finest roots rock albums ever made". The opening track, "Tweedle Dee & Tweedle Dum", includes many references to parades in Mardi Gras in New Orleans, where participants are masked, and "determined to go all the way" of the parade route, in spite of being intoxicated.

On July 23, 2001 he participated in a press conference at the Hotel de la Ville in Rome with reporters from Austria, Britain, Denmark, Finland, Germany, Holland, Italy, Norway, Sweden and Switzerland.

All of these interviews appeared shortly before or shortly after the album's release on September 11, 2001. ==Packaging== The album's cover features a black-and-white photograph of Dylan, sporting a then-new pencil-thin mustache, which was taken in the studio by Kevin Mazur.

Q listed Love and Theft as one of the best 50 albums of 2001.

Kludge ranked it at number eight on their list of best albums of 2001. In 2003, the album was ranked number 467 on Rolling Stone's 500 Greatest Albums of All Time, climbing to number 385 in the 2012 update and dropping to number 411 in the 2020 update of the list.

Ian O'Riordan, in a 2021 article in the Irish Times, ranked the album sixth out of the 39, praising David Kemper's drumming and citing "Lonesome Day Blues" as his favourite track. Johnny Cash, in a 2001 interview with The New York Times, named it as Dylan's best album. ==Allegations of plagiarism== Love and Theft generated controversy when some similarities between the album's lyrics and Japanese writer Junichi Saga's book Confessions of a Yakuza were pointed out.

2003

A limited edition release included two bonus tracks on a separate disc recorded in the early 1960s, and two years later, on September 16, 2003, this album was remixed into 5.1 surround sound and became one of fifteen Dylan titles reissued and remastered for SACD playback.

Kludge ranked it at number eight on their list of best albums of 2001. In 2003, the album was ranked number 467 on Rolling Stone's 500 Greatest Albums of All Time, climbing to number 385 in the 2012 update and dropping to number 411 in the 2020 update of the list.

2009

In 2009, Glide Magazine ranked it as the No.

2012

Kludge ranked it at number eight on their list of best albums of 2001. In 2003, the album was ranked number 467 on Rolling Stone's 500 Greatest Albums of All Time, climbing to number 385 in the 2012 update and dropping to number 411 in the 2020 update of the list.

2020

Kludge ranked it at number eight on their list of best albums of 2001. In 2003, the album was ranked number 467 on Rolling Stone's 500 Greatest Albums of All Time, climbing to number 385 in the 2012 update and dropping to number 411 in the 2020 update of the list.

Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "The predictably unpredictable rock poet greeted the new millennium with a folksy, bluesy instant classic". In a 2020 list of "Bob Dylan's 10 greatest albums" in Far Out magazine, Love and Theft was ranked seventh.

A 2020 article at the Ultimate Classic Rock website also placed Love and Theft seventh in the Dylan pantheon, noting that it "plays like an attic-sweeping of songs and themes Dylan and others left behind over the years" and that it evokes "long-gone musical spirits from the other turn of the century".

2021

Ian O'Riordan, in a 2021 article in the Irish Times, ranked the album sixth out of the 39, praising David Kemper's drumming and citing "Lonesome Day Blues" as his favourite track. Johnny Cash, in a 2001 interview with The New York Times, named it as Dylan's best album. ==Allegations of plagiarism== Love and Theft generated controversy when some similarities between the album's lyrics and Japanese writer Junichi Saga's book Confessions of a Yakuza were pointed out.




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