Proteus

1807

Inconsistent with his affections, his deceptions have unraveled at the finale of the play as he is brought face-to-face with his friend Valentine and original love Julia: In 1807, William Wordsworth finished his sonnet on the theme of a modernity deadened to Nature, which opens "The world is too much with us", with a sense of nostalgia for the lost richness of a world numinous with deities: James Joyce's Ulysses uses Protean transformations of matter in time for self-exploration.

1952

"Proteus" is the title provided for the third chapter in the Linati schema for Ulysses. The protagonist of Kurt Vonnegut's 1952 novel Player Piano is an engineer named Paul Proteus. Proteus is the name of the submarine in the original story by Otto Klement and Jay Lewis Bixby, which became the basis for the 1966 film Fantastic Voyage and Isaac Asimov's novelization. John Barth's novelette "Menelaiad" in Lost in the Funhouse is built around a battle between Proteus and Menelaus.

1966

"Proteus" is the title provided for the third chapter in the Linati schema for Ulysses. The protagonist of Kurt Vonnegut's 1952 novel Player Piano is an engineer named Paul Proteus. Proteus is the name of the submarine in the original story by Otto Klement and Jay Lewis Bixby, which became the basis for the 1966 film Fantastic Voyage and Isaac Asimov's novelization. John Barth's novelette "Menelaiad" in Lost in the Funhouse is built around a battle between Proteus and Menelaus.

2009

Genèse et survivances d'un mythe, d'Homère à Bouchardon (Paris, P.U.R., 2009), p. 139-164 (Interférences). A.

2012

Storia di una rappresentazione culturale da Omero al postumano, Carocci, Collana Lingue e letterature n.147, Roma, 2012.

2019

Proteus mirabilis is one of these and is most referenced in its tendency to produce "stag-horn" calculi composed of struvite (magnesium ammonium phosphate) that fill the human renal pelvis. In July 2019 the British professional wrestling company PROGRESS Wrestling announced the introduction of a Proteus Championship.




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