Rosencrantz and Guildenstern Are Dead

1964

Bernardina da Silveira Pinheiro observes that Stoppard uses metatheatrical devices to produce a "parody" of the key elements of Shakespeare's Hamlet that includes foregrounding two minor characters considered "nonentities" in the original tragedy. ==Notable productions== ===United Kingdom=== The play had its first incarnation as a 1964 one-act titled Rosencrantz and Guildenstern Meet King Lear.

1966

Rosencrantz and Guildenstern Are Dead is an absurdist, existential tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966.

The expanded version under the current title was first staged at the Edinburgh Festival Fringe on 24 August 1966, by the Oxford Theatre Group.

1967

It premiered on 11 April 1967, with John Stride as Rosencrantz, Edward Petherbridge as Guildenstern, Graham Crowden as the Player, and John McEnery as Hamlet.

1968

The play was nominated for eight Tony Awards, and won four: Best Play, Scenic Design, Costume Design and Producer; the director and the three leading actors, all nominated for Tonys, did not win. The play also won Best Play from the New York Drama Critics Circle in 1968, and Outstanding Production from the Outer Critics Circle in 1969.

1969

The play was nominated for eight Tony Awards, and won four: Best Play, Scenic Design, Costume Design and Producer; the director and the three leading actors, all nominated for Tonys, did not win. The play also won Best Play from the New York Drama Critics Circle in 1968, and Outstanding Production from the Outer Critics Circle in 1969.

1987

Clive Barnes of The New York Times described the play as "very funny, very brilliant, very chilling." The play was profiled in the William Goldman book A Candid Look at Broadway. The play had a 1987 New York revival by Roundabout Theatre at the Union Square Theatre, directed by Robert Carsen and featuring John Wood as the Player, Stephen Lang as Rosencrantz and John Rubinstein as Guildenstern.

1990

The film was not made, however. The play was eventually adapted for a film released in February 1990, with screenplay and direction by Stoppard.

1995

The play returned to the National Theatre on 14 December 1995 and this production with Adrian Scarborough as Rosencrantz and Simon Russell Beale as Guildenstern subsequently toured to Belfast, Cork, Bath, Newcastle, Sheffield and Bradford. In 2011 the play was revived in a production directed by Sir Trevor Nunn, opening at Chichester Festival Theatre before transferring to the Theatre Royal Haymarket in London's West End (June–August 2011).

2011

The play returned to the National Theatre on 14 December 1995 and this production with Adrian Scarborough as Rosencrantz and Simon Russell Beale as Guildenstern subsequently toured to Belfast, Cork, Bath, Newcastle, Sheffield and Bradford. In 2011 the play was revived in a production directed by Sir Trevor Nunn, opening at Chichester Festival Theatre before transferring to the Theatre Royal Haymarket in London's West End (June–August 2011).

2017

In 2017, Andy Propst of Time Out ranked the play the 22nd greatest of all time. ==Title== The title is taken directly from the final scene of Shakespeare's Hamlet.




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