Adorno (alias: Theodor Adorno-Wiesengrund) was born as Theodor Ludwig Wiesengrund in Frankfurt am Main on September 11, 1903, the only child of Oscar Alexander Wiesengrund (1870–1946) and Maria Calvelli-Adorno della Piana (1865–1952).
He was not only a precocious child but, as he recalled later in life, a child prodigy who could play pieces by Beethoven on the piano by the time he was twelve. At the age of six, he attended the Deutschherren middle school, before transferring to the Kaiser-Wilhelm Gymnasium, where he studied from 1913 to 1921.
He was not only a precocious child but, as he recalled later in life, a child prodigy who could play pieces by Beethoven on the piano by the time he was twelve. At the age of six, he attended the Deutschherren middle school, before transferring to the Kaiser-Wilhelm Gymnasium, where he studied from 1913 to 1921.
In these articles Adorno championed avant-garde music at the same time as he critiqued the failings of musical modernity, as in the case of Stravinsky's The Soldier's Tale, which in 1923 he called a "dismal Bohemian prank".
In these early writings he was unequivocal in his condemnation of performances that either sought or pretended to achieve a transcendence that Adorno, in line with many intellectuals of the time, regarded as impossible: "No cathedral", he wrote, "can be built if no community desires one." In the summer of 1924 Adorno received his doctorate with a study of Edmund Husserl under the direction of the unorthodox neo-Kantian Hans Cornelius.
Through Cornelius's seminars, Adorno met Horkheimer, through whom he was then introduced to Friedrich Pollock. ===Vienna, Frankfurt, and Berlin=== During the summer of 1924, the Viennese composer Alban Berg's "Three Fragments from Wozzeck", op.
Upon moving to Vienna in February 1925, Adorno immersed himself in the musical culture that had grown up around Schoenberg: in addition to his twice-weekly sessions with Berg, Adorno continued his studies on piano with Eduard Steuermann and befriended the violinist Rudolf Kolisch.
In December 1926 Adorno's "Two Pieces for String Quartet", op.
6, Adorno presented his habilitation manuscript, The Concept of the Unconscious in the Transcendental Theory of the Psyche (Der Begriff des Unbewußten in der transzendentalen Seelenlehre), to Cornelius in November 1927.
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